Get up-to-date ratings on movies and shows currently in release or about to debut, plus more Tomatometer updates on classic films and series.
by RT Staff | November 20, 2023| Comments
Here are the latest updates on Tomatometer scores all around Rotten Tomatoes, from current releases at theaters and on streaming to classic films and TV shows with freshly added reviews.
Best Christmas Ever (Photo by Netflix)
11/20: Best. Christmas. Ever! may not quite be the Best. Movie. Ever! starting out at 38% Rotten with 13 reviews.
11/16: Heavy is the head that reviews Season 6, Part 1 ofThe Crown, apparently — it’s off to a royally Rottenstart at 14 percent with seven reviews.
11/15: Eli Roth has done it again:Thanksgiving starts out Freshat 82 percent with 17 reviews.
11/13: Saturday Night Live: “Timothée Chalamet; Boygenius” is Freshat 80% with five reviews.
11/9: The Marvels has climbed out of Rotten territory and is tentatively Fresh at 61%, placing it as 3rd-lowest on the MCU movies ranked guide. See what the critics are saying.
11/8: The following now have their Critics Consensus summaries:
- Black Cake (Hulu) – Fresh100% with 12 reviews
- The Buccaneers (Apple TV+) – Fresh91% with 11 reviews
- The Curse (Showtime) – Fresh86% with 22 reviews
- Lawmen: Bass Reeves (Paramount+) – Fresh74% with 19 reviews
- A Murder at the End of the World (FX) – Fresh80% with 10 reviews
- Neon (Netflix) – Fresh90% with 10 reviews
11/7: The Cursestarts out Fresh at 71 percent with seven reviews. For all you The OA fans out there: A Murder at the End of the World (FX) is Freshat 80% with five reviews.
11/3: Scores from our What to Watch look of the week:
100% Invincible: Season 2 (2023)
84% Priscilla (2023)
85% Nyad (2023)
97% Blue Eye Samurai: Season 1 (2023)
Plus, here’s everything that went Certified Fresh this week in movies:
- When Evil Lurks– 99 percent with 84 reviews
- Ninotchka– 95 percent with 40 reviews
- Rustin– 88 percent with 42 reviews
- The Persian Version– 81 percent with 58 reviews
- May December– 91 percent with 79 reviews
- How to Have Sex– 95 percent with 40 reviews
- All Dirt Roads Taste of Salt– 90 percent with 41 reviews
- Perfect Days– 92 percent with 53 reviews
- Radical– 93 percent with 44 reviews
- Mister Organ– 95 percent with 41 reviews
And on TV:
- The Gilded Age– 94 percent with 31 reviews
- Beckham–90 percent with 20 reviews
11/2: Some television updates! The following now have a Critics Consensus:
- All the Light We Cannot See (Netflix) – Rottenat 33 with 18 reviews
- Chucky: Season Three (SyFy) – Freshat 100% with 10 reviews
- Found (NBC) – Fresh at80% with 10 reviews
- The Gilded Age: Season Two (MAX) – Certified Fresh94% with 30 reviews
- Invincible: Season Two (Amazon Prime) – Freshat 100% with 18 reviews
Chuck Klosterman (Photo by James Leynse / Contributor via Getty Images)
11/9: Before his national renown, Chuck Klosterman introduced his pop culture heart-on-sleeve philosophy and writing at the Akron Beacon Journal in Ohio. We’ve added nearly 50 of his movie reviews, including Fresh remarks on Being John Malkovich, Crouching Tiger, Hidden Dragon, Gladiator, Fight Club, Detroit Rock City, and Waking Life. Among the Rotten verdicts: American Psycho, Bringing Out the Dead, and Freddy Got Fingered. Read Klosterman’s reviews here.
11/2: In a job we call positively Orwellian, we’ve added every movie review written by novelist George Orwell. After publishing his fourth novel Coming Up for Air in 1939, Orwell spent the early 1940s reviewing books, plays, and movies before publishing Animal Farm in 1945, Nineteen Eighty-Four in 1949, and passing away in 1950. Orwell reviewed film for Time and Tide (a political and art magazine that existed from 1920 to 1986), most significantly The Great Dictator and The Lady Eve. Read Orwell’s reviews here.
Why do Tomatometers change over time? Because critics are always doing what they do best: Watching and reviewing. Plus, our team is always researching and highlighting reviews and essays from throughout movie history, often from overlooked or forgotten sources. The Tomatometer scores then becomes a living, breathing number, documenting thought and expression both then and now.
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